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Dave Goodman presents Stick Control featuring the Moeller technique and what he learned from lessons with Jim Chapin and Joe Morello, plus techniques for developing the ability to play accents amongst different sticking patterns as well as methods for creatively developing one’s own vocabulary for improvisation. Presented by Pro Music Australia and Bosphorus Cymbals.

About Dave
Jazz critic John Clare has described Dave Goodman as ‘one of the leading drummers in the country’ and ‘[one of] the most intriguing drummers recording anywhere’. At just eighteen, Dave received an invitation to join the renowned Mike Nock Quartet and, at twenty, came second in the prestigious National Jazz Awards. Today, he is, undoubtedly, one of Australia’s most important jazz drummers.

This is evident in the long list of luminaries – both Australian and international – with whom Dave has worked: Joe Lovano, Paul Bollenback, Bernie McGann, James Morrison, Don Burrows, Vince Jones and Mark Isaacs, to name just a few. At present, he is a key member of several of Australia’s finest ensembles, including Ten Part Invention, Trioflight, the Steve Barry Quartet, Warwick Alder’s Jazzgnostics and the Matt Keegan Trio. ‘Dave’s infectious love of music, his dedication to jazz drumming and his melodic approach to the drumset have been a source of inspiration to me for twenty years,’ Matt says.

Combining technical mastery with profound musicality, Dave’s drumming is celebrated for its powerful melodic sensibility and, most importantly, its distinctive voice. Chief influences include Jack DeJohnette, Vinnie Colaiuta and Andrew Gander. ‘Each of these guys come out of Tony Williams, Elvin Jones and Roy Haynes in their own way,’ Dave explains. ‘I love them fundamentally because they are uniquely creative and original in playing only the essence of what each piece of music requires. I aspire to this in my own work.’

Following in the footsteps of his predecessors, Dave is a genuine innovator: relentlessly imaginative and constantly evolving. His professional experience has been augmented with extensive study, both formal and informal. He holds a First Class Honours degree in Jazz Performance and a PhD in Jazz Drumset Performance Studies from the Sydney Conservatorium of Music, and has studied under several world-class musicians, including Billy Hart, Joe Morello, Jim Chapin and Chad Wackerman.

As a bandleader and composer in his own right, Dave counts numerous creative projects under his belt. Previous undertakings include Dave Goodman’s Strange Loop, featuring guitarist James Muller; eleven-piece ensemble Game 1A: Chess; and Ad Infinitum, which, in 2002, was commissioned for a recording by the ABC’s Jim McLeod’s Jazztrack.

And now, three significant developments are in the pipeline. The first is the highly anticipated La Machine, which sees Dave push his limits on an expanded drumset with new compositions, both computer-accompanied and unaccompanied, at concerts and clinics around Australia. The second is the launch of the new Dave Goodman Quartet, for which Dave has been composing pieces for a handpicked selection of his favourite musicians, namely Peter Koopman (guitar), Matt McMahon (piano) and Cameron Undy (double bass).

The third is The Drummers’ Hub. This extensive, dynamic online resource, established in 2014, allows students and drummers to access invaluable information and keep up with Dave’s educational activities and events. Dave brings with him over twenty years of teaching experience from previous appointments at prominent institutions such as Sydney Conservatorium of Music, and his vision for The Drummers’ Hub is ‘to mentor aspiring drummers toward the successful reaslisation of musical goals involving growth, development, fulfilment, audition, matriculation, scholarship, graduation and audition.’

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