In his conversation with Australian Musician’s Joshua Batten, acclaimed solo musician and Toto band member Dennis Atlas discusses the creative vision and personal journey behind his new album Principle, a record he describes as both a defining step forward and the beginning of a long-term artistic path. Principle features performances from Steve Lukather, Bumblefoot, David Paich, Joseph Williams, Shannon Forrest, Warren Ham, Marco Minnemann, Steve Bonino and others. The album was mixed by Trev Lukather and mastered by Bumblefoot, and is planned for global release on
Friday May 15 via Creation Fuel / MRI.
MORE ABOUT THE INTERVIEW
In his interview with Joshua, Atlas reveals that early reactions to the album have been overwhelmingly positive, with fans, friends and early listeners embracing its mix of accessible singles and more ambitious, progressive material. The process of selecting preview tracks proved challenging, as he deliberately set out to write what he calls “an album of lead singles,” inspired in part by feedback from Steve Lukather of Toto. Ironically, one of the album’s most discussed tracks, “We Can Be the Future,” emerged late in the process as an unexpected, more experimental piece, yet quickly became a key focus.
Written largely during his time touring with Toto, Principle blends songs developed over several years with newer ideas, reflecting Atlas’ evolving identity as a solo artist. His songwriting process remains fluid and intuitive, with music and lyrics emerging in no fixed order. He describes each song as a “living being,” allowing ideas to develop naturally rather than forcing a structured approach.
The album’s title reflects a philosophical core. For Atlas, “principle” represents universal truths and personal values, an anchor that enables creative freedom. This idea underpins the record’s thematic cohesion, with each song aiming to uncover a deeper meaning beneath its surface narrative.
Musically, the album features a wide range of collaborators, including Toto bandmates and acclaimed session players. Drummer Shannon Forrest plays a major role across much of the record, while Lukather contributes guitar work, alongside appearances from musicians such as Greg Phillinganes and David Paich. Despite the collaborative nature, Atlas remains deeply hands-on, obsessively refining sounds and arrangements to achieve the desired sonic detail.
Among the standout tracks is “Different World,” a stripped-back piano ballad inspired by a deeply personal relationship. Atlas chose to preserve the raw demo feel, complete with a subtle “heartbeat” rhythm, after encouragement from collaborators, highlighting his willingness to prioritise emotional authenticity over polish.
Elsewhere, songs like “When the Monster Attacks” explore more introspective territory, touching on themes of self-doubt and internal struggle. Atlas notes that while he’s often perceived as relentlessly positive, the song reflects his own experiences, evolving from an observation about others into a deeply autobiographical statement.
Looking ahead, Atlas sees Principle as both a launchpad and a statement of intent. Inspired by the longevity and scale of Toto’s career, he hopes to take his solo work to increasingly larger stages, with ambitions of building a live following capable of filling arenas. At the same time, he remains committed to artistic breadth, blending rock, pop and progressive influences, while expressing confidence that the energy of rock music will continue to resonate with new generations.