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Eris® E7 XT2-Way Active Studio Monitors with EBM Waveguide


With their smooth, accurate frequency response; powerful amplification with tons of headroom; and acoustic tuning functions that ensure you always get the best sound, it’s no surprise that the original Eris®-series studio monitors have been a runaway hit since their introduction. The Eris E7 XT builds on the Eris XT-series adding big, controlled bass in a compact form that will fit into a studio of nearly any size. Deep lows and a wide, more controlled sweet spot (thanks to its EBM waveguide design) mean that PreSonus’ best-selling studio monitors just got even better.

The Eris E7 XT drives up to 104 dB of crystal-clear, transparent sound via a 6.5-inch woven composite low-frequency driver and a 1.25-inch silk-dome tweeter. The ported enclosure creates a deep, tight low-end, while the new EBM waveguide ensures a wider and more controlled sweet spot ideal for group listening and collaboration—while the narrow vertical dispersion reduces reflections from your desk. Versatile I/O and acoustic tuning features allow you to connect to virtually anything, nearly anywhere.

With the same robust connectivity options and powerful, articulate driver combo, the Eris E7 XT studio monitor is a nuanced update to a lauded classic. The 1.25-inch silk-dome tweeter now sports a Hugh Sarvis-designed EBM waveguide, delivering a wider and more controlled sweet spot ideal for group listening and collaboration. A larger, ported enclosure extends the bass response of the 6.5-inch woven composite low-frequency driver without adding any mud. And of course, the acoustic tuning controls let you flatten the frequency response in accordance with your mix environment. It’s Eris, remastered.

Features include:
• 6.55-inch woven composite low-frequency transducer
• 1.25-inch (32 mm), ultra-low-mass, silk-dome, high-frequency transducer
• 100˚(H) x 60˚(V) EBM waveguide and ported enclosure
• Tuning Controls for accurate mixing contour (Level, HPF, LF Trim, HF Trim, Acoustic Space)
• 130 Watt, Class AB bi-amplification drives up to 104 dB of sound
• Balanced XLR, TRS, and unbalanced RCA inputs
• 104 dB maximum continuous SPL
• RF interference, output current limiting, over-temperature, transient, external mains fuse, and subsonic protection

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