Thursday May 1
HANNAH ACFIELD ‘I Got You’ (Single)
Hannah Acfield blends the emotional grit of soul with the storytelling of folk and the luminous textures of gospel. 2025 sees the acclaimed Melbourne-based singer-songwriter introduce “I Got You” — a moving and intimate ballad that showcases her soaring voice and cinematic songwriting. The song is the first single from her upcoming album “Golden Light” – due for release August 22, 2025.
“I wrote this for a couple of friends who were going through tough times,” says Hannah. “It’s not always easy to ask for help — and I wanted to say, ‘I’m here for you, even when you can’t say it out loud’.”
Acfield continues “The state of the world feels overwhelming at the moment, so I wanted the first song from the album to be something uplifting, and “I Got You” is a reminder of what matters most to me — connection and community.”
“I love harmonies, and I heard the backing vocals when I wrote it, but I’m not someone who approaches harmonies from a technical perspective — I like to explore ideas in my home studio and keep layering until it feels right.” The final recording features three vocalists Hannah knew would blend beautifully – Chrissi Deralas, Eddie Fitzpatrick & Tim Wamala — chosen for their shared timbre and vibrato. “They’d never sung together before, but the first time they did was in the studio — and it was magic. We recorded the harmonies live, all in the room together, which gave it a beautiful energy.”
“I Got You” follows the success of Hannah’s previous releases, including “No Light Without Shade” (“A triumph of talent” – The Australian / “Extraordinary voice” – The Courier Mail) and “Live at The Aviary”, and builds on Acfield’s growing international following in both Europe and the US.‘I Got You’ is out now.
Melbourne-based singer-songwriter Hannah Acfield returns in 2025 with a new studio album “Golden Light”. Described by The Weekend Australian as “a triumph of talent,” and praised by Joan Armatrading for her “beautiful voice,” Hannah blends the emotional grit of soul with the storytelling of folk and the luminous textures of gospel. Her sound sits comfortably alongside artists like Lianne La Havas, Linda Ronstadt, and Emily King—organic, heartfelt, and steeped in connection.
An established presence in the Australian music scene, Hannah’s debut solo album No Light Without Shade (2021) marked a turning point, landing at #20 on the AIR charts and earning widespread acclaim. She followed it with Live at The Aviary (2023), a one-take live album and film showcasing her dynamic vocal command. Earlier in her career, she released two solo EPs under her own name, and was also part of sibling folk duo The Acfields, with whom she released two albums and an EP.
Hannah has toured extensively throughout Australia and performed internationally in the UK and Ireland, appearing at festivals including the National Folk Festival, Nannup Music Festival, Perthshire Amber (Scotland), Bendigo Blues & Roots Festival, and more. She has supported Joan Armatrading, Liz Stringer and The Meltdown. As a soloist with the Melbourne Mass Gospel Choir, she performed at Falls Festival and Port Fairy Folk Festival—receiving a standing ovation for her gospel solo in front of 5,000 people.
Hannah has also showcased at major international industry events including Folk Alliance International (USA) and Focus Wales (UK). Her 2025/26 plans include more touring in Europe and the US.
But before then, Hannah has new music to share. “I Got You”—a soulful, harmony-laced anthem about kindness, care, and standing by the people you love. Wrapped in gospel-infused warmth and delivered with her trademark vocal richness, the single is the first glimpse of a new studio album, “Golden Light.”
Hannah’s music and spirit is grounded in generosity—whether through the rich harmonies she shares with her audience live, or in the quiet strength that radiates from songs like “I Got You.” It’s this blend of emotional honesty, vocal mastery, and community connection that continues to earn her new fans everywhere she performs.
SLEEP TOKEN UNVEILS FINAL SINGLE, DAMOCLES AHEAD OF FORTHCOMING ALBUM EVEN IN ARCADIA, OUT MAY 9
Sleep Token releases Damocles, the final single from their upcoming album, Even In Arcadia, out May 9 via RCA Records / Sony Music Australia. The track delves into the quiet unraveling beneath the surface—where grandeur fades and unspoken battles take center stage. With their signature blend of mystique and vulnerability, Damocles captures the weight of unseen struggle and the haunting echo of former glory, inviting listeners to confront what lies beneath the mask.
As the last preview before the album’s release, Damocles sets the emotional tone for Even In Arcadia—a record that navigates identity, inner eclipse, and transcendence with cinematic intensity. The album is expected to push the boundaries of sound and emotion even further, dissolving into something otherworldly. With momentum driven by previous singles Emergence and Caramel—both of which debuted in the top 40 in the ARIA singles chart and cracked the Billboard Hot 100 and hit No. 1 on the Hot Hard Rock Songs chart—the band has made history as one of only three artists to replace themselves at the top of the chart since its inception in June 2020. Sleep Token continues to deliver a refined, expansive sonic journey that deepens their exploration of emotional depth and enigmatic storytelling.
In a unique collaboration with Spotify, the official tracklist for Even In Arcadia was recently revealed through a series of intriguing puzzles across various social media platforms. This creative, interactive rollout offered fans an immersive experience as they pieced together the album’s final tracklisting, adding to the anticipation surrounding the record’s release.
As this next chapter unfolds, the band will embark on their first sold-out arena tour in the U.S. — the Even In Arcadia Tour — with stops in 17 cities this September and October. The band will also make an appearance at the Louder Than Life festival on Friday, September 19th.
Pre-Orders for Even In Arcadia are available now here
JB Hi-Fi Exclusive Limited Edition vinyl variant here
*All JB Hi-Fi pre-orders come with bonus ‘House Veridian’ or ‘The Feathered Host’ patch (only while stocks last)
Listen to Damocles here
SENNA ‘Drunk Dial Anthem’ (Single)
German metalcore band SENNA returns with their explosive new single Drunk Dial Anthem, the latest taste of their highly-anticipated debut album Stranger To Love, out May 23rd via SharpTone Records.
Speaking on the single, the band shares: “You never imagined a time without this person. For reasons beyond your reach they are not part of your life anymore, may it be through circumstances that life throws at you or the sudden realisation that your personalities reshaped each other incompatible. Drunk Dial Anthem captures the exact moment and feeling – something between loneliness, comfort and obsession – where you just want to hear „it‘s fine“ by this very person.”
Following the momentum of previous singles High Note, Rain, Blackout, and Hurricane, Drunk Dial Anthem continues to showcase SENNA’s knack for combining visceral energy with emotional depth. Each track brings listeners closer to the heart of Stranger To Love—a record that navigates the intricacies of identity, connection, and quiet transformation.
Marcel, speaking on the album’s themes, explains: “Stranger To Love is a collection of anecdotes from our own personal lives. These stories are not special in the sense that they are not extraordinary or unique to just us. They’re the kinds of experiences that happen quietly, in everyday moments… What makes these stories meaningful is not that they are special, but that they are real.”
DRUNK DIAL ANTHEM – OUT NOW
https://bfan.link/drunk-dial-anthem
STRANGER TO LOVE – DUE OUT MAY 23
https://bfan.link/stranger-to-love
ELUVEITIE ‘ Ànv’ (ALBUM) ‘Taranoias’ (SINGLE)
Swiss folk metal giants Eluveitie have released their triumphant new album Ànv via Nuclear Blast. In celebration of the day, the band have also unveiled the new video for their single ‘Taranoias’.
Watch: https://youtu.be/IhqxN1vOw8E
Purchase/stream Ànv here: https://eluveitie.bfan.link/anv
This masterpiece of modern metal masterfully combines melodic death metal with Celtic traditions in a unique production. Eluveitie will hit the road again together with Arch Enemy, Amorphis and Gatecreeper in October 2025.
Eluveitie commented: “And along comes – on this special day – our brand new single and video clip off ANV: TARANOÍAS! It’s the opening track of the album and pretty much wrapping up the entire essence on which the album is based in one single song! It’s quite a hard and dark track and surely one of these roller-coaster-feeling songs, like “Rebirth” or “Aidus”, for instance. What we’ve tried when writing this track is to create a song that in itself becomes some kind of a dark entity that comes upon you with the first note of it! Enjoy the ride!”
About ELUVEITIE:
ELUVEITIE, formed in 2002 by Chrigel Glanzmann, has consistently merged modern metal with Celtic musical traditions. Originating from the Swiss Alps and deeply rooted in Celtic history, mythology, and spirituality, the band has become a cornerstone of the modern metal scene. Their debut, Vên (2004), set the stage for a unique blend of melodic death metal and traditional folk. Subsequent albums like Slania, Everything Remains (As It Never Was), Helvetios, and Origins solidified their reputation. The acoustic albums Evocation I – The Arcane Dominion and Evocation II – Pantheon showcased their versatility.
In 2022, ELUVEITIE released the singles ‘Aidus’ and ‘Exile of the Gods,’ marking a new chapter in their musical journey and thematical cycle pursuing the lyrical concept opened by their last studio album Ategnatos. These tracks were followed by the announcement of their upcoming album, ÀNV, set for release in April 2025. The first single sfrom this album, ‘Premonition’, and ‘The Prodigal Ones’ has just been unveiled, offering a glimpse into the band’s evolving sound. Over the years, ELUVEITIE has undergone lineup changes, including their latest addition with Lea-Sophie Fischer on violin in May 2024. Despite these changes, the band’s essence and soul remains untouched. With nine studio albums, numerous tours all around the globe, and headline shows worldwide, ELUVEITIE continues to be a dynamic force in the metal genre.
As they approach the release of ÀNV, ELUVEITIE remains committed to their roots while exploring new musical horizons. Coming as one of their most profound and earnest albums, ÀNV presents a result of more than 20 years of intense involvement with Celtic mythology and spirituality, translating deeply pagan knowledge for a modern generation. ELUVEITIE’s journey reflects a dedication to authenticity and innovation, ensuring their place as a defining presence in modern metal.
ELUVEITIE are:
Chrigel Glanzmann – vocals, whistles, mandola, bagpipes, bodhran
Fabienne Erni – vocals, celtic harp, mandola
Alain Ackermann – drums
Rafael Salzmann – guitars
Jonas Wolf – guitars
Kay Brem – bass
Matteo Sisti – whistles, bagpipes, mandola
Lea-Sophie Fischer – fiddle
ELUVEITIE online:
Website http://www.eluveitie.ch/
Facebook https://www.facebook.com/eluveitie
Instagram https://www.instagram.com/eluveitie_official/
Twitter https://twitter.com/eluveitie
PATSY & DAVE ‘A Lot Like Georgia’ (Single)
STREAM HERE
Patsy and Dave’s latest single, “A Lot Like Georgia,” written by Nashville based songwriter Heather Wiggins, from their # 1 ARIA album “The Willow” captures the bittersweet essence of love and adventure. With Patsy’s soulful lead vocals, the song tells the story of a woman who must leave her beloved home & lover but vows to return, fuelled by the deep connection they share.
The heartfelt lyrics convey that he embodies everything she cherishes about home, with lines like “your arms and your lips and the way that you kiss, you’re all I’ve ever known.” This enchanting track blends emotion and longing, promising a journey of love that transcends distance.
Fans will be captivated by the heartfelt melody and the promise of return, making “A Lot Like Georgia” a must-listen for anyone who’s ever had to say goodbye.
PATSY AND DAVE
Patsy and Dave have solidified their status as acclaimed country music artists, hailing from Melbourne and captivating audiences worldwide. Their last album, “Midnight Choir,” achieved remarkable success, debuting at #1 on the ARIA country charts and #1 on the AIR National Indie charts. This accomplishment underscored their exceptional songwriting skills and dynamic stage presence.
As they gear up to release a highly anticipated new album in September, the duo is already generating tremendous buzz within the industry. With an impressive track record of chart-topping success, Patsy and Dave have proven themselves to be a formidable force in the music scene.
Their unique blend of Americana and country music has garnered international attention, with critics praising their ability to seamlessly infuse elements of blues into their sound. Music Existence USA commended Patsy and Dave for their authenticity in crafting convincing Americana country music that rivals their American counterparts, showcasing their versatility as artists.
Vent Magazine highlighted the duo’s exceptional vocal blend, emphasizing the central role that Patsy Toops and David Baird’s creative partnership plays in defining their signature sound. Their elastic and uplifting voices harmonize effortlessly, creating a mesmerizing musical experience that resonates with fans and critics alike.
Patsy and Dave’s unwavering commitment to their craft, coupled with their dynamic performances and infectious energy, cements their reputation as one of the most exciting acts in modern country music. Their upcoming album promises to continue their legacy of success and innovation, solidifying their position as trailblazers in the genre.
JESSIE J ‘No Scretes’ (Single)
BRIT award-winning, multi-platinum selling artist Jessie J makes her highly anticipated return with ‘No Secrets’, her first release in four years. This will be followed by her first single, ‘Living My Best Life’, produced by Ryan Tedder (OneRepublic), out Friday, May 16 via Darco Artist Partnerships (D.A.P). Click to stream ‘No Secrets’
‘No Secrets’ is a deeply personal, open invitation into the highs and lows of Jessie J’s life over the past few years. Confronting themes of loss, trauma and the impact of social media, poking fun at oversharing, the single serves as a raw and unfiltered reintroduction to one of the most successful and recognisable voices in British music. Produced by Los Hendrix (SZA, Brent Faiyaz) and Jesse Boykins III, the track sees Jessie J embracing her alt-R&B sound, with her signature powerhouse vocals and soul-baring lyricism commanding attention from the very first heartfelt line.
Jessie J speaking about ‘No Secrets’: “This song is super personal, but I hope it can be relative to anyone’s life. I’m a very honest person; I say it how it is, and I share a lot of things with the world that most people don’t, but always with a little humour. Humour is key – the music has really gotten me through.”
In contrast, ‘Living My Best Life’ is Jessie J’s pure celebration of positivity and joy. The exuberant Tedder throwback ‘Living My Best Life’ came to Jessie J while driving through LA, the best of Whitney and Prince rebounding about her jeep.
On ‘Living My Best Life’ Jessie J says: “I love the sense of moving upwards, so ‘Living My Best Life’ has that same feeling. It feels timeless, classic, 80s. It makes you want to dance.”
Next month, Jessie J is set to play an intimate acoustic headline show at London’s Union Chapel on Tuesday, May 20. This special performance will give fans the first chance to experience her new music live, alongside a selection of fan favourites and her captivating, humorous personality, which has built a strong fan base over the years.
Jessie J (born Jessica Ellen Cornish) is a BRIT award-winning and Grammy-nominated British singer-songwriter known for her seismic vocals, confessional lyrics, empowering attitude, dynamic stage presence, great sense of humour, and genre-blending music. Having sold over 20 million records worldwide, she first rose to international fame with her debut album ‘Who You Are’ (2011), which yielded six Top 10 smashes, including ‘Price Tag’, ‘Domino’ and ‘Who You Are’.
Over the years, she has established herself as a versatile artist, seamlessly fusing pop, R&B, and soul. Her subsequent albums, including ‘Alive’ (2013), ‘Sweet Talker’ (2014) – which featured the diamond-selling global hit ‘Bang Bang’ with Ariana Grande and Nicki Minaj, and R.O.S.E. (2018), showcase her artistic evolution.
Jessie J is also recognised for her work as a songwriter, penning hits for other artists (Miley Cyrus’ ‘Party In The USA’), which has also received diamond status, and for her participation in television shows such as The Voice UK and The Singer (China), where she won first place in 2018, with 1.2 billion people watching the live final. Jessie J’s last album, R.O.S.E. (2018), a confessional opus, showcased her continued growth as an artist, delving into personal and emotional themes with raw, heartfelt lyrics. This singer’s voice continues to ring out in nearly every corner of the globe.
‘No Secrets’ is available worldwide now
FOLLOW JESSIE J
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RUFOUS WHISTLER ‘Violet Town Train Station’ (Single)
Rufous Whistler releases Violet Town Train Station, an homage to V-Line, Love, and train replacement buses. STREAM HERE
Following the success of their debut album released in March, Rufous Whistler return with a striking new video for fan favourite “Violet Town Train Station”, a certified earworm of a folk track capturing the melancholy of waiting for a train replacement bus in Northeast Victoria, fleeting moments, and misguided attempts to show someone you love them.
Since the album’s release last month, the band has gone from strength to strength: debuting at #2 on the ARIA Country Albums Chart, selling out shows across the country on their extensive tour, receiving nationwide radio airplay, and being named ABC Country’s Feature Album.
With a growing national following and a jam-packed tour schedule still ahead, Rufous Whistler are simply a must see band, with utterly phenomenal live performances, cementing themselves as a vital new voice in modern folk and country.
The new video, filmed by WILK and set against the grand backdrop of the iconic Brunswick Ballroom, is a visual meditation on the song’s central themes — romance, regret, and the quiet poetry of leaving. It’s both intimate and cinematic, a perfect companion to the track’s raw emotional core.
As a bonus, the band is also launching a live rendition of “Violet Town Train Station”, captured at their last sold-out headline show at the Wesley Anne, Northcote. It’s a moment of collective stillness and swelling harmony, offering a glimpse of Rufous Whistler in full flight.
“Violet Town Train Station” is available now on all streaming platforms, and you can check out the band’s YouTube channel to see the new videos.
National Panic (album) released independently on March 10, 2025.
Tour Dates:
March – June 2025: 40+ dates across Australia, New Zealand, the UK, and Europe.
Full details here: rufouswhistler.com
Rufous Whistler – Remaining National Panic Album Launch Tour Dates
Friday 2 May – NEW SHOW – Wildflower Picture House, Fitzroy, VIC
Saturday 3 May – LAST TIX – Wildflower Picture House, Fitzroy, VIC
Sunday 4 May – Gippsland Acoustic Music Club, VIC
Friday 9 May – House Concert, Kiama, NSW
Saturday 10 May – Batemans Bay House Concert, NSW
Sunday 11 May – Navigate Arts, Tanja, NSW
Friday 16 May – Yackandandah Community Hall, VIC
Saturday 17 May – South Sydney Folk Club, NSW
Sunday 18 May – Yuin Folk Club, Cobargo, NSW22
May – 9 June – New Zealand Tour (15 shows)
Fri 20 June – Coondoo Mtn Campout, QLD
MACHINE HEAD – UNATØNED Out Now + Release Music Video For ‘ØUTSIDER’
Bay Area icons MACHINE HEAD have sharpened their sound into its most direct and impactful form with the release of their eleventh album, UNATØNED. The record – which is now available via Nuclear Blast Records – is a testament to momentum, an album honed to its sharpest edge, forged on creative discipline and the hunger to push forward.
In celebration of the new album, the band reveal the music video for the track, ‘ØUTSIDER’. The music video, directed by David Parada and Robb Flynn as creative director, was filmed at the San Antonio performance on their current North American Tour. WATCH HERE | STREAM HERE
MACHINE HEAD comments,
“💥 UNATØNED ØUT NØW💥 — Head Cases! Our monumental new album is out everywhere! 🎥 We’ve also unleashed a RAGER of a music video for the track “ØUTSIDER” which was filmed at the historical landmark The Aztec Theatre in San Antonio, TX on our current headlining North American tour with In Flames, Lacuna Coil and Unearth. ØUTSIDER is an anthem that has kinship with anyone who’s had to cut toxic people loose. These last few years, I’ve had to let go of a lot of relationships, and I know I’m not alone in that. This track is for anyone who’s been there.
Celebrate with us by blasting the new album UNATØNED! Give us your first impressions Head Cases!!”
Order & stream UNATØNED: https://machinehead.bfan.link/unatoned
WATCH: ‘ØUTSIDER’ Music Video: https://www.youtube.com/watch?v=-V225Y64scQ
Written in motion – on the road, in hotel rooms, and across continents – it reflects the raw energy of their return to the global festival circuit after an 11-year hiatus. UNATØNED was recorded at Robb’s Jam Room, Sharkbite Studios, and Drop Of Sun Recording between July 2023 and December 2024. The album was produced by Robb Flynn as well as Zack Ohren who was also responsible for the engineering. The mixing and mastering was handled by Colin Richardson and Chris Clancy at Audioworks UK and the mastering of the record was handled by Ted Jensen and his assistant Justin Shturtz. The only exception was the track ‘LANDSCAPE ØF THØRNS’ which was produced by Flynn and Joel Wanasek who was also in charge of mixing the single alongside Zack Ohren. MACHINE HEAD once again tapped Seth Siro Anton to create the album artwork.
Eleven albums deep, MACHINE HEAD remains as fierce, relevant, and unstoppable as ever.
MACHINE HEAD is:
Robb Flynn | Vocals & Guitars
Jared MacEachern | Bass & Vocals
Reece Scruggs | Guitar
Matt Alston | Drums
More information:
https://www.machinehead1.com/
https://twitter.com/MfnH
https://www.instagram.com/machine_head/
https://www.youtube.com/c/machinehead/featured
https://www.facebook.com/MachineHead
https://www.tiktok.com/@machineheadofficial
SABATON ANNOUNCE AUSTRALIA & NEW ZEALAND HEADLINE TOUR WITH SPECIAL GUESTS AMARANTHE
This September history will be made with the return of Swedish metallers SABATON to Australian shores, joined nationally by special guests and fellow compatriots AMARANTHE.
Bringing their trademark heavy metal maximalism down under later this year, SABATON’s Aussie headline run will kick off on Wednesday 3 September in Perth, before journeying to Adelaide, Melbourne, Sydney and Brisbane, and concluding proceedings on Tuesday 9 September in Auckland. AMARANTHE will not be performing in Auckland.
For over 25 years SABATON have cultivated a formidable reputation, headlining major festivals, snaring significant chart success, ticking off sold out arena concerts across the globe, and amassing a legion of fans worldwide via their surging riffs, commanding vocals, and songs detailing real-life wars and historic battles. Widely regarded as one of the hardest-working bands in the business and a major fixture in the European metal scene, SABATON have released 10 studio albums to date, with eight LPs landing Top 10 international chart status, six claiming Top 5, and some certified Gold (2010’s Coat of Arms, 2014’s Heroes, 2016’s The Last Stand, 2019’s The Great War) and Quadruple Platinum (2012’s Carolus Rex) in their motherland.
Along with their ongoing triumphs over the years, SABATON are equally a force to be reckoned with in a live setting, with their infamous performances often including elaborate props and effects to thrust your mind, body and spirit into the immersive storytelling and compelling stage presence on display. From detailing events of World War I and other historical conflicts, through to hosting and staging their own annual three-day festival Sabaton Open Air, touring with Iron Maiden and Judas Priest, and accumulating over 3 billion streams, SABATON most recently blew Aussie fans away onstage at Good Things Festival in 2022; and 2025 is primed for a jaw-dropping headline extravaganza from these Swedish metal warriors.
Powerful, unpredictable and resoundingly uplifting, Sweden’s AMARANTHE have been weaving their heavy sorcery for over 15 years. Searing a trail for a modern metal revolution, AMARANTHE have released seven full length albums throughout their career, with their 2016 breakout album Maximalism scoring them a nomination for Best Hard Rock/Heavy Metal at the Grammis, Sweden’s answer to the Grammys, while their most recent LP, 2024’s The Catalyst, embraced djent, synths and potent vocal interplay between Elize Ryd, Nils Molin and Mikael Sehlin.
Gifted heavy alchemists well versed in fusing everything from pop rock through to death metal into their sonic brew, AMARANTHE have previously toured with Epica and Dragonforce and erupted festival stages across the globe, and the Swedish collective will be back this year to continue their Australian domination witnessed last year when they ticked off their debut down under tour.
Prepare to journey To Hell and Back this September for an unforgettable SABATON headline extravaganza. Australia, this will absolutely be one for the history books.
Early bird pre-sale tickets on sale: Wednesday 30 April @ 9am local time
To Gain Early Ticket Access Register Here -> https://daltours.cc/sabaton
General tickets on sale: Friday 2 May @ 9am local time
Tickets from destroyalllines.com
Destroy All Lines Presents
SABATON
AUSTRALIA & NEW ZEALAND HEADLINE TOUR
WITH SPECIAL GUESTS AMARANTHE
TOUR DATES:
MONDAY 1 SEPTEMBER – METRO CITY, PERTH
WEDNESDAY 3 SEPTEMBER – HINDLEY STREET MUSIC HALL, ADELAIDE
FRIDAY 5 SEPTEMBER – MARGARET COURT ARENA, MELBOURNE
SATURDAY 6 SEPTEMBER – HORDERN PAVILION, SYDNEY
SUNDAY 7 SEPTEMBER – FORTITUDE MUSIC HALL, BRISBANE
TUESDAY 9 SEPTEMBER – POWERSTATION, AUCKLAND*
*Amaranthe not performing
ASTEROID B-612 ‘Park Bench Gods’ (Single)
After a 25-year hiatus, legendary Australian rock ‘n’ roll band Asteroid B-612 make their long-awaited return with their brand new single, ‘Park Bench Gods’, officially out now via Golden Robot Records. The track is available to stream on all major platforms.
Lifted from their forthcoming album Roads, Stars, ‘Park Bench Gods’ is a raucous, full-throttle return to form that captures the essence of what made Asteroid B-612 an underground cult favourite. Recorded in both Australia and Spain throughout 2024, the single is pure, unfiltered rock ‘n’ roll, built to get you moving – whether you’re in the pit or your living room.
The track features the blistering guitar work of band founder, guitarist and songwriter Johnny Casino, alongside the unmistakable raw and soulful vocals of original frontman Grant McIver (from the band’s first three albums). Long-time drummer Ben Fox (a member since 1993) brings his signature locomotive groove, rounding out a rhythm section bolstered by new members Xabi Garre (guitar – Señor No, Roy Loney, Cheetah Chrome) and Juancho Lopez (bass – Paul Collins, Peralta, Kurt Baker Combo).
Stream ‘Park Bench Gods’ HERE
Emerging from the Australian underground in the early ’90s, Asteroid B-612 became known for their no-compromise approach to rock, blending Detroit punk energy, Aussie pub rock soul, and garage rock grit. From sweaty pub shows across Australia to their cult following in the U.S.A and Europe, the band became a seminal name in underground rock circles, known for their high-octane live performances, explosive guitar work, and raw, heartfelt songwriting.
Now, with ‘Park Bench Gods,’ the band sounds as urgent and vital as ever – ready to reignite dancefloors and dive bars worldwide.
Get ready. Hit play. And wear your dancin’ shoes.
General tickets on sale: Friday 2 May @ 9am local time
Tickets from destroyalllines.com
TAJ MAHAL AND KEB’ MO’ – TAJMO – ‘My Darling My Dear’ (Single)
There are many reasons that Taj Mahal and Keb’ Mo’ are known as “standard-bearers in the genre-bending world of folk, blues, soul and Americana” (Billboard) – but particularly powerful is their ability to speak to the moment when listeners need them most. Today, the two legends have returned with “My Darling My Dear,” a new original that embraces the power of love, positivity and unity as a guiding light through the darkness.
“Feel the spirit, warmth and love in this message,” said Taj Mahal of their intentions behind “My Darling My Dear,” the continuation of a philosophy that’s long made Taj “a national treasure” (SPIN). Also at the core of “My Darling My Dear” is the importance of family and community, with Taj Mahal and Keb’ Mo’ bringing in their children (Ahmen Mahal and K. Roosevelt, respectively) to co-write the track with them, alongside singer-songwriter Colin Linden (Bob Dylan, Lucinda Williams, Emmylou Harris).
“It was like a party every day,” says five-time GRAMMY winner Keb’ Mo’ of the familial environment in the studio. “We had our sons in there playing with us and all the other musicians and writers were hanging the whole time, so it was a really fun place to be.”
Listen to “My Darling My Dear,” watch the accompanying lyric video and pre-order Room On The Porch here: https://found.ee/TajMo-RoomOnThePorch
“My Darling My Dear” marks the third advance offering from Room On The Porch – following the album’s title track (which features two-time GRAMMY ‘Song Of The Year’ nominee Ruby Amanfu) and the electric blues excellence of “Junkyard Dog.” It’s a collection that finds the legendary pair reuniting for their first release together since 2017, when their debut collaboration TajMo brought them from The Late Show with Stephen Colbert (for a stunning performance alongside Jon Batiste) to Marc Maron’s garage to the GRAMMY stage (where they took home Best Contemporary Blues Album). Room On The Porch – which the duo also co-produced together – features more original co-written tracks between them than ever before.
Around the release of Room On The Porch next month, Taj Mahal and Keb’ Mo’ will bring their TajMo live show back on the road – celebrating the new album in over a dozen cities across the United States. These shows will begin with a special appearance at the Grand Ole Opry on May 23 (joined by Amanfu) during the Opry’s year-long 100th anniversary celebrations – before their first headline show together at New York’s Town Hall on May 28. For more information, please visit https://www.tajblues.com/tour and http://kebmo.com/.
Pre-order Room On The Porch here: https://found.ee/TajMo-RoomOnThePorch
GHOST SKELETÁ OUT NOW. NEW SINGLE PEACEFIELD LIVE NOW
Following what seemed an interminable wait to its global legion of fans, GHOST’s excruciatingly anticipated new album, SKELETÁ, is at long last out, April 25, via Loma Vista Recordings.
The lead up to SKELETÁ’s full release has been punctuated by a cavalcade of world-spanning events that have only elevated the fervor of the album’s exuberant welcome. This week alone witnessed the unveiling of the recorded version of Peacefield, the monolithic anthem opening both the new record and the sold-out arena performances comprising the first leg of the SKELETOUR WORLD TOUR 2025. The faithful also assembled in full regalia for SKELETÁ-Eve Midnight Sales celebrating the arrival of the band’s sixth psalm at close to 150 record stores around the globe. With demand for the midnight mass events far exceeding the number of suitable physical locations, GHOST’s added live-streamed SKELETÁ Rockin’ Eve event took the invocation of the new offering to devotees in all corners of the world, ensuring that not a single fan was left out of the festivities.
The coming of SKELETÁ was previously heralded by first single Satanized—dubbed a “catchy goth-rock epic” by VICE—and the rapturously received Lachryma—deemed “economical, vicious, and contemporary, but tinged by ‘80s rhapsody” by PASTE and “phantasmagoric” by REVOLVER. Both advance tracks have remained perched atop streaming music and video charts, thanks to GHOST’s singularly passionate following that includes more than 10 million combined Spotify monthly listeners and YouTube subscribers.
As if all of the above was not enough, GHOST’s blockbuster SKELETOUR WORLD TOUR 2025 opened to overwhelmingly ecstatic critical and popular reception from the moment the first notes of Peacefield filled the AO Arena in Manchester UK with deafening applause on the tour’s April 15 opening night. Featuring the flesh and bone debut of frontman Papa V Perpetua, the SKELETOUR WORLD TOUR 2025 is the most staggeringly ambitious incarnation of the GHOST live ritual to date. Having completed a string of sold out arena shows across the UK, the tour is currently making its way through the European territories, presaging a North American campaign that will begin July 9 in Baltimore and include GHOST’s historic first-ever headlining show at New York’s hallowed Madison Square Garden on July 22. With more shows to be announced soon, the SKELETOUR WORLD TOUR 2025 ritual experience promises to expand the GHOST community to attract its largest and most diverse audiences to date. From lifelong disciples to the curious uninitiated first-timers to the outcasts and others who find solace in the ritual, all are welcome to escape the travails of daily life and to become one with the enthralling spectacle hailed by KERRANG on opening night in Manchester as “bones and wings and sparkling and bedazzled macabre glory… f***ing brilliant.”
The tour’s kick-off also marked the world premiere of GTV, the new channel dedicated to exclusive coverage of all things GHOST and SKELETOUR. Join host Vanessa Warwick as she welcomes any and all to join the Ghoulbangers’ Ball for in-depth and behind the scenes coverage available only HERE.
SKELETÁ – OUT NOW VIA LOMA VISTA RECORDINGS
PORTAL Australian Tour, August 15th – 23rd, 2025
With guests BØLZER
PORTAL is a twisted vision, with a multitude of horror scapes seen through a distorted lens of filth. Elaborate darkness weaved into masses of Death Metal in its own antiquity of sonic violence and perpetuating the mythos self-created. The henchmen within this brood pledge to open up it’s gates to feed upon mortal terror, a duty to destroy the senses and sanity.
Preceding the aural trepidation is Switzerland’s BØLZER. An intuitive art project born from raw passion; musical ecstasy fueled by impulsive composition and enactment. BØLZER describe their own stage experience as a form of spiritual rapture, an atavis-tic vortex woven together from the profound union of spectacle meeting spectator on a deeper plane.
PORTAL with BØLZER performing at:
Aug 15th – Sydney, Crowbar
Aug 16th – Melbourne, Max Watts
Aug 17th – Hobart, Altar
Aug 23rd – Brisbane, Necrosonic Festival, Mansfield Tavern
TICKETS ON SALE 9.00am local times Thursday May 1st at:
MELBOURNE, SYDNEY, BRISBANE – www.oztix.com.au
HOBART – www.moshtix.com.au
www.facebook.com/PORTALDEATH
www.facebook.com/bolzerband
www.swdpresents.com
BUSH TEASES ’60 WAYS TO FORGET PEOPLE’ A TASTE OF THEIR UPCOMING ALBUM
STREAMING & LYRIC VIDEO HERE
PRE-ORDER ALBUM HERE
earMUSIC and BUSH are beyond excited to announce the release of “60 Ways to Forget People”, the hauntingly powerful new track teasing their highly anticipated 10th studio album, I Beat Loneliness – set for worldwide release on 18th July 2025.
Marking a bold new era for the GRAMMY®-nominated, multi-Platinum rock legends, ‘60 Ways to Forget People’ offers a raw dive into the complexities of heartbreak, personal transformation, and the painful process of letting go – the track sets the tone for a bold new chapter.
Gavin on the track says “What I feel about this record is it addresses the common struggles we all have. ’60 Ways To Forget People’ is an ode to sacrifice and a dedication to the focus it takes to be better. All the time and in all things.”
Produced by Gavin Rossdale and Erik Ron (Godsmack, Bad Omen) I Beat Loneliness marks BUSH’s 10th studio album – a powerful testament to their enduring legacy and continued evolution. The record blends their grunge-rooted intensity with fresh textures and themes exploring mental health, solitude, and resilience.
With over 24 million records sold, a billion+ streams, and decades of genre-defining influence, the band proves once again they’re not just surviving—they’re thriving. The official lead single lands on 5th June, with more to follow leading up to the album’s release. ‘60 Ways to Forget People’ is just the beginning and is a powerful introduction to what promises to be one of their most personal and resonant records yet.
BUSH will launch an extensive worldwide tour, beginning 21st April and Australia is slated for the first quarter of 2026.
I Beat Loneliness will be released on CD Digipak, Heavyweight Black 2LP Gatefold and on Digital.
ROBERT RANDOLPH ‘Big Women’ (Single)
GRAMMY-Nominated Blues Rock Pedal Steel Powerhouse Robert Randolph Releases Swaggering New Single ‘Big Women’ With a playful black-and-white video, Randolph’s funk-driven groove celebrates the grace, grit, and spirit of strong women
Stream “Big Women” here and preorder Preacher Kids here
After lighting a fire with the thunderous first single “Sinner,” six-time GRAMMY nominee and blues/rock pedal steel firebrand Robert Randolph returns with “Big Women”—a bold and joyful celebration of confidence and power. The second single from Randolph’s forthcoming album Preacher Kids (out June 27 via Civilians in AUS/NZ, and Sun Records rest of world) arrives alongside a black-and-white performance video brimming with swagger and soul.
Rooted in an irresistible guitar riff and driven by an instantly memorable chorus—“Big women got me riding high! Big women make me feel alright!”— the track began as a lap steel jam and a vocal scat idea before evolving into a full-throttle ode to self-possessed women everywhere. Singer-songwriter Judith Hill brought the song home, writing the verses and chorus.
“When we say ‘big,’ we’re talking about strength, confidence, and lived experience,” says Randolph. “Big women have that energy you recognize right away. It’s next-level.”
In the accompanying video, Randolph is seen at his pedal steel and dancing across the set with playful charisma as a group of powerful women join him on screen, strutting and grooving with attitude. The visual captures the spirit of the song — a jubilant, funky homage to strength, style, and presence.
WATCH The Official Music Video for ‘Big Women’ by Rob Randolph
Preacher Kids marks Randolph’s debut on the legendary Sun Records label and was produced by Shooter Jennings (Brandi Carlile, Tanya Tucker). The album is a raw, roots-driven fusion of gospel, blues, rock, and soul, created alongside an all-star lineup of musicians and guests including Margo Price, Judith Hill, and Tash Neal. Grounded in Randolph’s Sacred Steel church upbringing and elevated by his boundary-pushing musicality, Preacher Kids is a genre-defying celebration of spirit and sound.
Randolph has carved out a singular path in American music, redefining the pedal steel guitar and lending his unmistakable sound to some of the most celebrated recordings and performances of the past two decades. He has worked with a diverse array of artists including Dave Matthews Band, Santana, Norah Jones, Ozzy Osbourne, Eric Clapton, Rob Thomas, Hank Williams Jr., Elton John, Leon Russell, Raphael Saadiq, Robbie Robertson, Taj Mahal, Metallica, and Sheryl Crow. Most recently, he contributed pedal steel to Beyoncé’s Cowboy Carter on the tracks “16 Carriages” and “Ya Ya,” and appeared on Jon Batiste’s We Are, which won the GRAMMY for Album of the Year. His work can also be heard on the Elvis movie soundtrack and the Zac Brown Band’s latest tour. For the second year in a row, he returned as the featured musician behind the theme for Amazon Prime’s Thursday Night Football, and he recently joined Luke Combs for a stirring tribute to Charley Pride on CMT.
Preacher Kids is out June 27 (pre-order the album here). “Big Women” is available now on all digital platforms.
OASIS: ‘SOME MIGHT SAY’ 30TH ANNIVERSARY LIMITED EDITION PEARL COLOURED NUMBERED 7” VINYL OUT NOW – ORDER HERE & BRAND NEW VISUALISER OUT NOW – WATCH HERE
To celebrate the 30th anniversary of ‘Some Might Say’, Oasis have re-released their seminal single on limited-edition, pearl coloured, numbered, 7” vinyl. They’ve also released a brand-new visualiser for the track. Order vinyl here. Watch the visualiser here.
The release of ‘Some Might Say’ was monumental in Oasis’ journey. As the first single released from the indomitable (What’s The Story) Morning Glory? and the band’s first ever number one in the UK Singles Chart, it marked a remarkable beginning to their second album. It was met with widespread critical and commercial acclaim at the time of release, also entering the top ten in Finland, Iceland, Ireland and Sweden.
(What’s The Story) Morning Glory?, also celebrating its 30th anniversary this October, went on to become a cultural phenomenon, elevating Oasis to massive heights on the global stage. It spawned countless era-defining moments, with ‘Some Might Say’ the starting gun to it all. The single arrived only eight months after the band’s prodigious debut album, Definitely Maybe. In the short intervening period, Oasis were able to capitalise on their initial success, and bring it to new places through the development of their sound. The huge, stadium fillers heard across (What’s The Story) Morning Glory? are beloved by fans around the world with the album having sold over 25 million copies worldwide.
The 30th anniversary of ‘Some Might Say’ comes during another era defining period for the iconic band, with the sold-out Oasis Live ‘25 tour an undisputable, worldwide phenomenon. Unprecedented demand and a resounding global appetite made the announcement the music story of 2024 and what is unquestionably the musical event of 2025.
The anniversary also follows the release of Time Flies… 1994 – 2009, the complete singles collection, reissued as a limited edition, 4 coloured LP, numbered, box set for this years’ Record Store Day which charted at no.3 in the UK official albums chart last week.
OASIS LIVE ’25: AUSTRALIAN DATES
With special guests Ball Park Music
Fri 31 Oct – Marvel Stadium, Melbourne (SOLD OUT)
Sat 1 Nov – Marvel Stadium, Melbourne (SOLD OUT)
Tue 4 Nov – Marvel Stadium, Melbourne (FINAL TICKETS ON SALE NOW)
Fri 7 Nov – Accor Stadium, Sydney (SOLD OUT)
Sat 8 Nov – Accor Stadium, Sydney (SOLD OUT)
Perth Indie five-piece HAZEL return with new single ‘THE VOID’
With 2024 proving to be a busy debut year for the band, the first half of this year is already looking to be a positive one for Perth’s HAZEL. With ‘The Void’, the indie five-piece deliver their first slice of new music for the year – a rich blend of influences that speak to the band’s ever-growing range.
Recorded at Debaser Studios with Andy Lawson (Noah Dillon, Mitch Santiago), ‘The Void’ is a sharp new entry to the Hazel catalogue. Following on from their debut EP Dreamstate last year, this is a perfect moment of re-entry for the WA group who are becoming ones to watch in their local community and beyond.
Of their new single, Hazel say “‘The Void’ has definitely become one of the band’s favorite tracks we’ve created so far. The way it shifts from moody, introspective verses to a powerful, impactful chorus really draws listeners in—exactly the emotional journey we hoped to create. The style of this track flows naturally between the five of us, making the writing and recording process feel effortless.
Lyrically, the song is told from the perspective of someone watching a loved one navigate the aftermath of loss. It explores the quiet strength in observing their journey—how over time, pain slowly shifts from an open wound to a scar. That grief never fully disappears, but it begins to hurt a little less as time goes on. It’s a reflection on how healing often comes in subtle, silent steps, and how witnessing that growth can be just as powerful as experiencing it yourself.”
Melodic and dynamic, Hazel’s latest is an exciting peek into what is still to come as this year rolls out with planned new projects and shows. Already, the band has proven themselves to be a captivating live unit, locking in shows on the West Coast supporting the likes of Matt Corby, Eskimo Joe, Great Gable and more, while their fanbase has only continued to strengthen with each release.
Having enjoyed sold out shows of their own at venues including Jack Rabbit Slims, The Rosemount Hotel and the Indi Bar, Hazel are preparing to kick things off again for the year with an unmissable single launch for ‘The Void’, taking place at Mojo’s this May, supported by Lazy Haze, Figurehead and Mistica.
Single Artwork: Hazel
HAZEL ‘THE VOID’ LAUNCH
TICKETS
Friday 16 May Mojo’s FREMANTLE
with Lazy Haze, Figurehead, Mistica
‘THE VOID’ is released Wednesday 30 April
HAZEL: Facebook | Instagram | TikTok | YouTube | Triple J Unearthed
TOTALLY UNICORN RETURN WITH NEW SINGLE HARD FEELINGS
Totally Unicorn are back with Hard Feelings, a jagged, anxious anthem written during late nights and long spirals, and recorded over one frenzied weekend at Marrickville’s Golden Retriever Studios with longtime collaborator Jonathan Boulet (Party Dozen, ARSE).
The single lands hot on the heels of the band’s recently announced Hard Feelings East Coast tour, which will see Sydney’s chaos connoisseurs hitting Gadigal (Sydney), Naarm (Melbourne), and Meanjin (Brisbane) this May and June.
“This is my anthem for anxiety and sleepless nights,” says frontman Drew Gardner. “The kind of nights where your brain refuses to switch off, replays old conversations on loop, and plots out disaster scenarios just for fun.”
Hard Feelings is the latest in a string of standalone tracks the band has written and recorded over the past few years – city by city, session by session – with no album in sight and no rules to follow. Rather than chase cycles or trends, the band’s goal has been simple, write better songs and push things further. Most of what’s written never leaves the room. But every now and then, a couple of tracks make it out alive – Hard Feelings is one of them. Twisting a few pop culture tropes along the way, it comes out sounding like the evil twin of a song you swear you’ve heard before – messy, loud, and impossible to ignore.
Totally Unicorn’s new clip for Hard Feelings was shot over six months in a run-and-gun style across Sydney’s Inner West – Marrickville, Sydenham, Alexandria, Waterloo. Capturing a version of Sydney that rarely gets screen time, it’s gritty, a little on the nose, and perfectly in step with the song’s themes. More than just a film clip, it’s a time capsule – and a way for the band to keep making art together outside the confines of writing songs.
Hard Feelings is out today on Farmer & The Owl and available on all streaming platforms here.
Totally Unicorn are a chaotic blend of hardcore, noise rock and party. Known for their unhinged live performances, they channel the energy of bands like Pissed Jeans, The Chariot, and Converge, with a touch of humour and wild unpredictability. Equal parts heavy and hilarious, their sets are as much performance art as they are musical onslaught – sweaty, raw, and unforgettable.
TOTALLY UNICORN ‘HARD FEELINGS’ EAST COAST TOUR
Friday 30 May – Marrickville Bowlo – Gadigal / Sydney
Friday 07 June – The Tote (Upstairs) – Naarm / Melbourne
Friday 21 June – The Bearded Lady – Meanjin / Brisbane
Tickets on sale now HERE
FANNING DEMPSEY NATIONAL PARK RELEASE NEW SINGLE ‘KING PUMPKIN’
Bernard Fanning and Paul Dempsey release a new single ‘King Pumpkin’ today, a bonus song from their lauded debut album The Deluge out now. You can listen to “King Pumpkin‘’ here
Talking about the song, Fanning says, “King Pumpkin opens with a quote borrowed and adapted from author Jonathan Swift. “Falsehood lies, and truth comes limping after it, so that when man came to be undeceived it is too late. It’s a very accurate description of what is transpiring in the political and online sphere worldwide. Deception is apparently now, an attitude.” We loved the idea of putting a sleazy funk backing to this.”
Dempsey shares, “It’s funny how far away it ended up from the original demo which was somewhere in brutalist industrial electronica territory…. All along it was trying to tell us it just wanted to shimmy.”
Watch the official visualiser For ‘King Pumpkin’
The release of ‘King Pumpkin’ arrives as Fanning Dempsey National Park kick off The Deluge Regional Tour tomorrow in Cairns at Tanks Art Centre. The tour will then head to Hobart, Ballarat, Geelong, Bendigo, Newcastle, Thirroul, Canberra, Toowoomba and the Sunshine Coast, before finishing on the Gold Coast on May 24.
Limited tickets are still available from www.fanningdempseynationalpark.com
Bringing their ARIA Award nominated debut album The Deluge to life on stage, the setlist will thrill fans with additions from their collective songbooks and record collections.
In addition, the band have set social media alight with news they are selecting a local solo artist or duo in each town to open the show. Check FDNP’s instagram for more details.
‘King Pumpkin’ and The Deluge Regional Tour come off the back of a mammoth start of the year for Fanning Dempsey National Park who opened 2025 with an incredible performance for ABC TV’s NYE24 broadcast then performances on stages across the country for SummerSalt Tour 2025 and Great Southern Nights.
The Deluge debuted at #3 on the ARIA Album Chart, #1 on the Vinyl Chart and was the Double J Feature Album. The debut single ‘Disconnect’ recently made the shortlist for the 2025 APRA Peer-voted Song Of The Year.
FANNING DEMPSEY NATIONAL PARK
THE DELUGE REGIONAL TOUR 2025
Village Sounds, Secret Sounds Artist MGMT & Winterman & Goldstein Present
TANKS ARTS CENTRE, CAIRNS, QLD – SOLD OUT
THURSDAY MAY 1
Ages: 15+
ODEON, HOBART, TAS
THURSDAY MAY 8
All ages
COSTA HALL, GEELONG, VIC
FRIDAY MAY 9
All ages
CIVIC HALL, BALLARAT, VIC
SATURDAY MAY 10
All agesReserved seated balcony will be Unlicensed All Ages (U16 must accompanied by a parent or legal guardian ticket holder with valid ticket)
ULUMBURRA THEATRE, BENDIGO, VIC
SUNDAY MAY 11
All ages
CIVIC THEATRE, NEWCASTLE, NSW – FINAL TIX
FRIDAY MAY 16
All ages
ANITA’S THEATRE, THIRROUL, NSW – FINAL TIX
SATURDAY MAY 17
All ages
THEATRE CENTRE, CANBERRA, ACT – FINAL TIX
SUNDAY MAY 18
All ages
POWERHOUSE, TOOWOOMBA, QLD
THURSDAY MAY 22
Ages: 18+
VENUE 114, SUNSHINE COAST, QLD – FINAL TIX
FRIDAY MAY 23
All ages(U18 must accompanied by a parent or legal guardian with valid ticket)
HOTA, GOLD COAST, QLD – FINAL TIX
SATURDAY MAY 24
All ages
Limited Tickets on sale
Visit www.fanningdempseynationalpark.com for all ticket information
DAISY PRING ‘31ST OF JUNE’ (Single)
Illawarra RNB / pop-princess Daisy Pring is putting a bright new electronic spin on her blissful brand of RNB, returning now with a fresh single titled ‘31st of June’. The new single arrives alongside the announcement of Daisy’s upcoming debut EP, Treading Water, which will be released on Thursday May 8th. ‘31st of June’, which gives listeners a sneak peek into what’s to come on the record, holds a deep meaning for Daisy. While a bright, fun party track, the single explores feelings of resignation in the journey of getting over a past love. Within its lyrics, Daisy battles it out with herself, expressing how hard she’s tried to move on, until she reaches the end of her rope and decides she must be fated to feel this way forever; ‘I’ll be stuck on you / Till we have two moons / Till I watch the news / Till the sky’s not blue.’
“This song essentially describes the feeling of losing hope of ever moving on from someone. I came up with the idea ‘31st of June’ because the date doesn’t exist, therefore highlighting the feeling that the day I will be over this person, will never come.” DAISY PRING
An upbeat dance track well-suited for fans of Charli XCX, PinkPantheress and Kali Uchis, ‘31st of June’ obscures its heartbreak behind a facade of groovy electronic goodness. Speaking to her intentions for this contrast while she and producer Chelsea Warner (Amelia Moore, Ūla, Liyah Knight, Kwame, Tasman Keith) worked on the track together, Daisy said:
“Sonically, the song is very upbeat, with inspiration from PinkPantheress. The juxtaposition between the lyrics and the music represents the lows one can be feeling while putting up a show for those around them”
DAISY PRING
The forthcoming EP Treading Water will be Daisy’s first ever major project, after a string of stunning and well-received singles have allowed her to establish a space for herself in the scene so far. Ready now to take things to the next level, the EP is set to cover a series of personal moments and tales revolving around an earth-shaking breakup. In healing, learning, and growing through the heartbreak, Daisy has come out the other side with a remarkable bouquet of tracks, and is ready for audiences to feel and connect with them just as much as she has.
To welcome the EP, Daisy will be performing a string of shows including a free performance at Ryan’s Hotel Thirroul this month, followed by an official EP launch at La La La’s Wollongong on May 23rd, and finally an appearance at the Crooked River Estate Winter Wine Festival 2025!
DAISY PRING LIVE SHOWS
Friday May 23rd La La La’s Wollongong by Yours and Owls TICKETS
w/ Amali Dimond, Meadowhip, Jude2k, and Groove Society
Sunday June 8th Winter Wine Festival @ Crooked River Estate Gerringong TICKETS
‘31st of June’ is out Thursday April 10th
Treading Water is out Thursday May 8th
Daisy Pring: Facebook | Instagram | Twitter | Youtube | Unearthed
TASH SULTANA SHARES COLLAB TRACK WITH CITY AND COLOUR ‘AIN’T IT KINDA FUNNY’
Off the back of the recent announcement that Tash Sultana had joined forces with City and Colour for a special collaboration on their upcoming EP Return To The Roots, today brings the release of the long-awaited third single, ‘Ain’t it Kinda Funny ft. City and Colour’ — a track that’s been years in the making.
LISTEN TO ‘AIN’T IT KINDA FUNNY FT. CITY AND COLOUR’ HERE
This song has a rich history. Originally written by Tash as a teenager, it’s one of the earliest songs in their catalogue — a raw acoustic piece born from a deep love for artists like Jeff Buckley, Bon Iver, and, fittingly, City and Colour.
Fast forward to now, and the track has been reimagined, reshaped, and revived — not just to suit where Tash is today as an artist, but as a person on the edge of turning 30. “That looming milestone makes you reflect,” Tash says. “There’s this pressure that you’ve somehow ‘aged out’, but it’s all bullshit. 30’s young. Life’s only getting better. I wouldn’t relive my early 20s for anything — and that realisation bled straight into this song.”
‘Ain’t It Kinda Funny’ sees both artists contribute contrasting yet complementary verses — Sultana’s leaning into sentimentality, and City and Colour’s offering a reflective, seasoned perspective. Together, their vocals balance like yin and yang, bridging generations of experience and emotional insight.
Dallas comments, “Working with Tash was an absolute joy. We first connected last year and hit it off right away. That first impression led to me visiting their studio in Australia and eventually creating this song together. Tash is one of the most impressive people I’ve had the pleasure of meeting. Their passion and work ethic was inspiring. I’m truly grateful to have been invited to be a part of this.”
The result is a track that honours its roots while embracing the present — a poignant and powerful evolution of a song that has travelled with Sultana for over a decade.
True to form, the recording process also had its moments of levity. As the final touches were being added, including bass guitar, there was an unexpected interruption from Tash’s dog. “Right as the bass kicked in my dog went into the next room and took a massive stinking hot shit on the floor the size of an AFL football. Talk about a brown note, we were bonded” Sultana recalls.
Return To The Roots EP is a raw, unfiltered dive back into the heart of their artistry. Stripping away the pressure of commercial success, this six-track collection rekindles the spirit of spontaneous creation—the very essence that first ignited their career.
Building on the success of the first single, ‘Milk & Honey’—which earned rotation on triple j, topped the AMRAP Metro Charts, received praise from Rolling Stone, and landed on key DSP playlists like Spotify’s The Local List and Apple’s Heaps Indie—latest release ‘Hold On’ continues that momentum with support from triple j, DSP playlisting across Spotify’s Pop’N’Fresh and Apple’s New in Indie, and online love from The Music, Rolling Stone and AU Review.
Fresh from selling out Red Rocks in minutes Tash Sultana has recently announced a massive 2025 US tour. Bringing their signature electrifying energy and genre-blurring sound to fans nationwide, this tour is set to be nothing short of unforgettable. Tickets are available now via tashsultana.com
With a career spanning over a decade, Tash Sultana’s accomplishments speak volumes: selling out shows at iconic venues, headlining major festivals, selling out global arenas, 15 ARIA nominations, and the 2023 Rolling Stone Global Artist Award. Yet, for Tash, the journey is far from over. With their unwavering drive to push creative boundaries and a focus on building a broader legacy as an entrepreneur and mentor, Tash continues to shape the industry on their own terms.
Return To The Roots is a fearless declaration of resilience, reinvention, and the boundless power of self-expression.
LISTEN TO ‘AIN’T IT KINDA FUNNY FT. CITY AND COLOUR’ HERE
PRE-SAVE RETURN TO THE ROOTS EP HERE
GET SOCIAL WITH TASH SULTANA WEBSITE | FACEBOOK | INSTAGRAM | TIKTOK | YOUTUBE | SPOTIFY | APPLE
RISING UNVEILS EXPANDED 2025 LINE-UP WITH A BLOCKBUSTER FED SQUARE TAKEOVER, NEW GIGS, COMEDY HITS,ECLECTIC FILM RETROSPECTIVES & FREE NIGHT TRADE SURPRISES
RISING, Melbourne’s rapturous winter festival of new art, music and performance, has today unveiled a number of exciting additions to its 2025 line-up. Building on their phenomenally successful summer, FedSquare with SalamFest and RISING are announcing some of Pakistan’s most celebrated musicians set to take to the stage for a free concert in the heart of Melbourne as part of BLOCKBUSTER.
RISING 04 – 15 June 2025
Other new gigs include a variety show from beloved local comedy icon ZoëCoombs Marr, a captivating ACMI film retrospective of Miranda July’s delightfully offbeat works, a toe-tapping boot-scooting party hosted by Country Struts, searing anarchic rock from local icons Tropical F*ckStorm, and a fresh wave of free programming through Night Trade, running every night of the 10-day festival from 4-15 June. Speaking to the newly announced acts in the program, RISING co-artistic directors Hannah Fox and Gidoen Obarzanek said: “This next chapter of the program expands RISING’s reach across the city – with more artists, more public moments, and more ways to encounter art in the every day. From the full-scale Fed Square takeover led by some of Pakistan’s most vital contemporary musicians, to a new live variety show by the brilliant ZoëCoombs Marr, to an all-in community dance at Melbourne Town Hall with Country Struts, these works speak to the energy, humour and cultural depth that define RISING.”
Minister for Creative Industries Colin Brooks said, “RISING festival is once again set to be a major drawcard for Victorians and visitors alike. The festival will turn Melbourne into the hottest place to be this winter, bringing abuzz to city businesses and backing our creative and events workforce. The program continues to grow with this year’s incredible line-up of First Peoples Melbourne Art Trams paying tribute to First Peoples women alongside more music, comedy and dance that will transform our city, plus an epic blockbuster celebration of South Asian music, art and food at Fed Square –there is something for all tastes and ages.”
On the first Saturday of RISING (7 June), BLOCKBUSTER will light up FedSquare with a vibrant celebration of South Asian culture, bringing an electrifying fusion of contemporary Pakistani music, an eye-catching Punjabi truck art installation and mouth watering street food. Taking its name from the hit song Blockbuster – a viral sensation in 2024 that racked up 61 million views across the globe on YouTube – the event brings the energy and impact of that anthem to life in a world-premiere, exclusive to Melbourne. Headlining the event is Blockbuster‘s original artist Faris Shafi, the “uncensored voice of Pakistan”, bringing his raw, multilingual lyrics to Melbourne for the first time.The night will feature a powerful set by pioneering producer, composer and musician Zulfiqar Jabbar Khan, professionally known as Xulfi, who was also one of the masterminds behind Coke Studio Season 14 and 15 – achieving a combined 2.5 billion streams. Also joining the line-up is Annural Khalid, Spotify Pakistan’s most-streamed female artist of 2024. Her hit Jhol has garnered over 300 million streams across 173 countries, cementing her as arising pop trailblazer.Global charting qawwali duo Zain and Zohaib bring their soulful, contemporary take on a centuries-old Sufi tradition, continuing their family’s rich musical legacy. Rounding out the bill and adding a rock edge is SherryKhattak, frontman of Karakoram, leading a bold new wave of Pakistani rock that honors the genre’s legacy while pushing its boundaries. Backing all artists the legendary Coke Studio Pakistan house band will deliver a dynamic blend of rap, pop-R&B, qawwali, and genre-defying soundscapes.
Presented by Fed Square, SalamFest and RISING, BLOCKBUSTER will bean unmissable celebration of South Asian culture and musical heritage. “BLOCKBUSTER is a feeling, an experience and a celebration. It is exciting to present some of South Asia’s most loved artists and musicians for the first time ever in Australia. Please come and experience the euphoric event at the iconic Fed Square where the city becomes part of the art.” BLOCKBUSTER Curator Ayesha Bux said, “This is BLOCKBUSTER. Feel it. Live it. Be it.” Melbourne Arts Precinct Corporation Director & CEO Katrina Sedgwick said; “Fed Square is thrilled to be working with SalamFest andRISING to bring BLOCKBUSTER to Melbourne. This free concert will gather audiences from across our state for this never-before-seen live performance featuring Pakistan’s most exciting musicians – in a South Asian celebration forthe senses – with the sights and sounds of Lahore bustling into the citycentre.”In a special RISING performance and their final hometown show before heading to Europe, Tropical F*ck Storm bring their squalling and searing rock show to The Forum on Friday 06 June. Formed by Gareth Liddiard and Fiona Kitschin after their legendary art rock band The Drones went on hiatus in 2016 and joined by Erica Dunn (from punk trio MOD CON) and Lauren Hammel (from metal mainstays High Tension), they’ll be playing from their new album Fairyland Codex and ready to warp meatspace with their acerbic, anarchic rock.
Playing live in Melbourne for the first time in a decade, and presented with ACMI, Matthew Barnes, AKA Forest Swords, brings his immersive electronic landscapes from the post-industrial guts of Liverpool to RISING, in an exclusive performance integrated with HD imagery on ACMI’s giant cinema screen. Returning to Australia for the first time in ten years, the acclaimed electronic musician will perform live alongside immersive HD imagery on ACMI’s giant cinema screen, in what promises to be a truly overwhelming audiovisual experience.
Night Trade – a free, late-night playground of music, performance, and unexpected delight – returns to Howey Place and its surrounding laneways, inviting festival-goers to drink, dine, and dance their way into spontaneous mischief. Over two weekends, immerse yourself in offbeat experiences like Rising Star Karaoke with Mummy’s Plastic, and encounter Saedog, a captivating creation by Swingers exhibiting artist Seaborg, brought to life as part of their work I WAS MADE FOR LOVING YOU, inviting onlookers into a playful yet eerie dystopia, where unsettling delight and surreal spectacle collide.On the music front, opening night sees Music in Exile take over the decks with a genre-hopping lineup featuring Kgomotso, LUNA and Zjoso. Then for the long weekend, Kampala’s legendary Nyege Nyege Collective, is in residence with five incredible afro-galactic artists coming to Melbourne including MC Yallah, Kampire, DJ Travella, Lady Hash and Hemedi. Joining them over the four days are local heroes from DJ Manchild’s Old Plates. On weekend two, get ready to boogie with the disco, funky, Italohouse, and Latin influenced Disco Mediterranea and New York City’s Blazer Sound System blasting reggae, downbeat, dancehall and dub. RISING channels the spirit of Melbourne’s legendary Little Bands scene with a one-night takeover across three venues. At The Toff In Town, local radio and label outsider Cease and Desist invites over 20 musicians to form throwaway supergroups in a night of spontaneous noise and self-destructing bands. At Young and Jackson’s, indie heroes Chapter Music gather artists from across 45 years of Australian DIY culture for a rare intergenerational dialogue, including Denise Rosenberg, Al Montford, Nicole Thibault and Alex Macfarlane. And at Wax Music Lounge, Liquid Architecture reimagines the Little Bands ethos through DJ Quartets—assembling original ensembles armed with CDJs and DJ mixers to imagine the sound of a future underground. Across both weekends of RISING, get ready to Wrap It Up with Zoë CoombsMarr in a chaotic celebration of everything you love about late night television – condensed into a frantic live variety spectacular. Hosted by their repressible Coombs Marr, this madcap show features a rotating lineup of RISING’s finest performers, beloved local stars and a few random puppets.Expect high-stakes hilarity, surprise guests, and a world record attempt or two as Coombs Marr desperately tries to “wrap it up” before the credits roll. It’s a wild, weird, and wonderful night of live TV magic and everything that could possibly go wrong.
Get ready to kick up your heels as Country Struts Winter Hoedown brings a boot-scooting spectacular to Melbourne Town Hall. This high-energy event, led by renowned dance duo Gail (Abigail Varney) and Glenn (Alice Glenn), promises an unforgettable experience for all ages and abilities. Varney, known for her authentic rodeo flair, and Glenn, the visionary behind No Lights, No Lycra, bring over three decades of combined experience in dance instruction and community engagement. Together, they’ve sparked joy across Victoria, hosting popular classes in Brunswick, Castlemaine, and St Kilda. Running fresh off the heels of SHOUSE’s mass-musicking moment at Communitas, which takes place at the Town Hall earlier that day, Country Struts is set to take centre stage with a dazzling dance-floor takeover. With the return of the First Peoples Melbourne Art Trams project, six new-look trams will roll out as part of the 2025 project to share in a culturally rich tribute to First Peoples women. Convened by RISING Senior Curator Kimberley Moulton (Yorta Yorta), the five remaining artists announced today will join lead artist Beruk (William Barak)’s 1897 work Corroborree (Women in possum skin cloaks) on the tracks.The featured artists include Kelly Koumalatsos (Wergaia, Wemba Wemba),Maree Clarke (Yorta Yorta,Wamba Wamba, Mutti Mutti, Boonwurrung),Jennifer Mullett (Gunaikurnai, Bidawal, Ngarigo) Patsy Smith(Taungurung) and a collaborative work with Elders, Laurel Robinson (YortaYorta/ Wurundjeri), Amy Briggs (Yorta Yorta), Cynthia Hardie (YortaYorta) and Rochelle Patten (Yorta Yorta, Wamba Wamba, Baraparapa). Working across mediums and eras, they each present overlapping layers of culture and country in the lived experience of First Nations women. For 12months, they’ll traverse the city streets, as testaments to the power of their expression. The First Peoples Melbourne Art Trams initiative is supported by theVictorian Government through Public Transport Victoria, Yarra Trams and Creative Victoria.
In a film retrospective for the art house inclined, ACMI will celebrate the unmistakable voice and vision of artist Miranda July. From Kajillionaire andThe Future to Me and You and Everyone We Know and Fire of Love, this season will dive deep into July’s offbeat singular story telling style with a program spanning her feature films, short works, documentaries, and rarely seen video art, including three gems from the ACMI Collection.Catch a film and then head to the Flinders Street Station Ballroom for a playful bonus at Swingers: The Art of Mini Golf. July is exhibiting a bespoke mini-golf hole where she’ll tell your fortune in her true eccentric fashion.Expanding beyond Flinders Street Station, Swingers: The Art of Mini Golf lands at Emporium Melbourne with a cheeky twist, The 10th Hole, a pop-up experience inviting Melburnians to take their best shot, no ticket required.Located in the heart of the city’s premier style and culture destination, this interactive Art installation is a playful extension of the Swingers universe, bringing fun, flair and a competitive edge to the everyday city stroll. Audiences are invited to dive deeper into some artists’ creative process through a series of free RISING Artist Talks running during the festival. After the presentation of his Olivier award-winning hip-hop masterpiece BLKDOG, London-based choreographer Botis Seva alongside Joshua Shanny-Wynte will lead a special Masterclass on Saturday 7 June at Lucy Guerin Studio, offering rare insight into his unique movement vocabulary. For those looking for a bite before or after a gig, exhibition or show, Moon Bites returns to the program this year offering fast feasts at some of the city’s most sought-after venues. Conveniently located close to RISING venues, CBD restaurants Aru, Dom’s Social Club, Kisumé, Elio’s Place, Pirate Life and Mesa Verde have each created an exclusive RISING menu with matching drinks and small bites. Make sure to book in advance so you can secure your spot. Explore the full RISING program at rising.melbourne.